I have updated the gallery with Blu-ray quality screen captures of Lucy, including bonus features and a number of another additions including stills, posters and behind the scenes photos. For those of you that have seen the film, what did you think? For me, I loved Scarlett in this role. She carries the film superbly and given its success, surely it’s time she got her own Black Widow movie, right?
Film Productions > Lucy (2014) > Latest Uploads
I have updated the gallery with a number of photos from Scarlett’s critically acclaimed role in Under The Skin, including screen captures, stills, posters, bonus features and behind the scenes photos. Please be aware that the screen captures from the film contain nudity and also spoilers for anyone who has yet watch. Enjoy!
Film Productions > Under The Skin (2013) > Latest Uploads
I’ve uploaded two gorgeous black and white photographs of Scarlett from the set of Street of Dreams, the Dolce & Gabbana commercial from 2013 that also also featured Matthew McConaughey.
Ad Campaigns > Dolce & Gabbana > 2013 > The One: ‘Street of Dreams’ Commercial – On Set
Great news! Scarlett has been nominated for a Critics Choice Award in the Best Actress in an Action Movie category for her role in Lucy. The full list of nominations were announced today, and Under the Skin has also been shortlisted in the Best Sci-fi/Horror Movie category. The 20th annual awards ceremony will take place on January 15, 2015 at the Hollywood Palladium and will be broadcast live on A&E. For a full rundown of the nominations, click here.
BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Edge of Tomorrow
Scarlett Johansson – Lucy
Jennifer Lawrence – The Hunger Games: Mockingjay Part 1
Zoe Saldana – Guardians of the Galaxy
Shailene Woodley – Divergent
THE GUARDIAN – Jonathan Glazer’s Under the Skin is a film about a beautiful, scary alien that is itself beautiful and scary and alien: it’s an entirely extraordinary, outrageously sensual film that Glazer’s previous excellent work had really only hinted at, partially and indistinctly. His Sexy Beast (2000) was a visually accomplished, exciting and intelligent crime thriller that was way ahead of the woeful mockney-geezer mode of the time. Birth (2004) had Kubrickian ingenuity and chill, with some remarkable moments; it was a movie that deserves cult-classic status but has yet to achieve it. Then a decade went by, and it seemed that Glazer might be a stylist for whom a sustained cinema career would perhaps not be achievable (and heaven knows, it can happen to the most talented).
But when he gave us his long-gestating free adaptation of Michel Faber’s novel Under the Skin, the result really was gasp-inducing: hilarious, disturbing, audacious. No less an A-lister than Scarlett Johansson plays an alien in human form who roams the streets and shopping malls of Glasgow. Perfectly genuine footage of real-life passersby is shown as the incognito Johansson impassively sizes up these earthlings for their calorific value. Then actors will step out of the crowd for their scenes with the great seducer. She takes them back to her place: a mysterious dark cavern in which, in an erotic trance, they submit to being imprisoned and farmed for their meat – and perhaps, who knows, for their very soul.
Glazer surely took something, again, from Kubrick, especially in the scene in which his alien is born in some dimensionless otherworld. He took something from Nic Roeg and The Man Who Fell to Earth and a little, perhaps, from David Lynch – of which, more in a moment. But alongside the sci-fi exoticism he brought the grit and sinew of contemporary realism, calling to mind the work of film-makers like Ken Loach, or even Abbas Kiarostami and the opening of his The Taste of Cherry, in which a desperately unhappy man drives around the itinerant labour markets of Teheran looking for someone to help him. These fantastic alien forms are scuffed with ordinariness and even bathos. The scene in which the alien uncomprehendingly watches Tommy Cooper on television is a masterpiece of tonal suspense.
Watching Under the Skin again brought to mind another comparison: Orson Welles – the Welles who succeeded in creating a hoax martian invasion on the radio and who, in F for Fake (1975), got his partner Oja Kodar to walk around the streets in a miniskirt, secretly filming the lascivious expressions of the non-actor guys looking at her.Continue Reading