DEADLINE – EXCLUSIVE: Scarlett Johansson’s new movie, My Mother’s Wedding, that’s also Kristin Scott Thomas’ feature directorial debut has added BAFTA and Golden Globe nominee Sienna Miller, SAG ensemble winner Freida Pinto and Cannes Film Festival Best Actress Emily Beecham. Cameras are currently rolling, Deadline hears.

Details with regard to the pic’s plot are under wraps, but Thomas wrote it with John Micklethwait. Producers are Finola Dwyer and Steven Rales.

Back in 2017, it was reported that Thomas was making her feature directorial debut with The Sea Change, based on Elizabeth Jane Howard’s novel of the same name. This is not that project, nor did it come to fruition.

Miller received a 2013 Golden Globe nomination in the Best Actress TV Miniseries/Movie category and BAFTA Best Leading Actress nom for HBO’s The Girl in which she played Tippi Hedren to Toby Jones’ Alfred Hitchcock. She also received a 2008 BAFTA nom in the Rising Star category. She exploded on the stateside scene in 2006 with her turn as Edie Sedgwick in 2006’s Factory Girl and continued on to big parts in G.I. Joe: The Rise of Cobra, American Sniper, Foxcatcher, The Lost City of Z, Live by Night, The Catcher Was a Spy, 21 Bridges and is starring as Erin Fleming in Oren Moverman’s Groucho Marx movie, Raised Eyebrows.

Pinto will next be seen in Mr. Malcolm’s List, directed by Emma Holly Jones, set for release via Bleecker Street on July 1. Additionally, the star of the Oscar winning Best Picture Slumdog Millionaire recently launched her production company Freebird Films, developing provocative stories with the intention of challenging stale assumptions, reflecting and celebrating diversity, uplifting the work and lives of intrepid women and revealing everyday heroes. The company has 18 projects in various stages of development including the highly anticipated Netflix limited series The Henna Artist, based on Alka Joshi’s bestselling novel, with Pinto starring and executive producing. Pinto won a SAG feature ensemble award for Slumdog Millionaire and was BAFTA nominated for the film in the supporting actress category. Her feature credits include Rise of the Planet of the Apes, Immortals, Knight of Cups, Only, Hillbilly Elegy and Intrusion.

Beecham won Best Actress at the Cannes Film Festival in 2019 for Jessica Hausner’s Little Joe. Her feature credits include 28 Weeks Later; Hail, Caesar!, Cruella, Guy Ritchie’s The Interpreter and Mikael Håfström’s Slingshot.

Miller is repped by WME, United Agents and Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush, Kaller, Gellman, Meigs & Fox. Pinto is repped by CAA and Principal Entertainment LA. Beecham is repped by ICM Partners, Accelerate and Goodman, Genow, Schenkman, Smelkinson & Christopher.

Johansson is represented by CAA and Yorn, Levine, Barnes; Thomas by Agence Adequat in France, CAA, Independent Talent Group in the UK and Lichter, Grossman, Nichols; and Lenkiewicz by Casarotto Ramsay & Associates.

WELL + GOOD – It’s 10 a.m. on a sunny Monday morning in early April, and I’m standing in New York City’s Highbridge Park shoveling dirt onto a freshly planted baby tree. A hundred yards away, Scarlett Johansson is wearing a Yankees cap and simple cargo pants, and she’s up to her elbows in mulch. In honor of Earth Month, her new skin-care brand, the Outset, partnered with One Tree Planted, a nonprofit dedicated to global reforestation efforts, and she—along with her co-founder Kate Foster Lengyel—were spending this particular morning getting their hands dirty to contribute to cause: planting 25,000 trees.
The brand, which launched last month, prides itself on being a beauty brand that centers sustainability and minimalist values. This ethos is exemplified in everything from its packaging (which is made from recyclable glass and post-consumer recycled plastic) and its supply chain (the brand’s factories are 100 percent wind-powered and carbon neutral) to its partnerships (in addition to One Tree Planted, the brand also works with Dress For Success and 1% For the Planet).

The Outset is that inherently optimistic idea that every day is a chance for a fresh beginning and a new start,” says Foster. “And so with our philanthropic efforts, the idea is to support new beginnings for people for the planet. That’s why we partnered with One Tree Planted for all of Earth Month. Our philosophy is that we’re a consistent, everyday brand, and that’s how we’re showing up with our philanthropic efforts, as well—in these kinds of consistent everyday ways that we can support the causes that are meaningful to us and to our customers.”

With that in mind, “simplicity” is the driving force behind everything that the Outset does. The brand’s product line includes what people need for a well-rounded routine and nothing else: a cleanser, a serum, a moisturizer, and an eye cream. This is in part to ensure their products are accessible to a wide range of complexions, but it’s also a means to help consumers minimize the amount of waste they’re creating with their skin care.

“We wanted to have as little environmental impact as possible,” says Johansson. “There’s a lot of stuff out there, and I think it would be irresponsible of us not to take that into consideration. That kind of mindfulness is a big part of our brand DNA.”

During the month of April, the brand is donating 10 percent of its sales up to $25,000 to One Tree Planted to support wildfire restoration efforts in California. For every dollar donated, there will be one tree planted, adding up to a total of 25,000 trees. And on the other side of the country in NYC, in addition to the individual trees that Johansson, Lengyel, and their team (and I!) planted, the brand also donated $17,000 to fund urban planting organized by the nonprofit New York Restoration Project. Considering trees in NYC remove 2,000 tons of pollution and sequester 42,300 tons of carbon, these small steps can make a big difference.

Regarding bigger impact potential, Lengyel and Johansson hope the Outset’s initiatives will inspire the rest of the beauty industry to take note. “I think if you show people that they can use products that are clean and also effective, and that are good for you and have less impact, that’s important,” says Johansson. “The industry is so consumer-driven, so in being proactive and [showing them those products exist], large companies will be forced to follow suit. It’s our goal to be a part of that story.”

DEADLINE – EXCLUSIVE: Here’s a hot one. Scarlett Johansson (Black Widow) and Chris Evans (Captain America) are set to star in buzzy new movie package Project Artemis, we can reveal, with Ozark star, director and exec-producer Jason Bateman aboard to direct.

That’s not all. Fresh off its Best Picture Oscar win for Coda, Apple has swooped in on the in-demand package in a $100M+ deal. CAA cut the deal on behalf of the producers. This marks another massive purchase for the studio following a year that saw them pay more than $200M for both the Matthew Vaughn package Argyle and the untitled F1 racing pic starring Brad Pitt.

Plot details are being kept tightly under wraps but we hear the project is set against the space race. Screenplay comes from Rose Gilroy, daughter of writer-director Dan Gilroy and actress René Russo.

Two-time Oscar nominee Johansson will produce with Jonathan Lia and Keenan Flynn through their These Pictures production company, which commissioned and developed the script. Bateman will produce via his Aggregate Films banner.

Evans and Johansson have been looking for projects to team up on following the end of their Avengers days and came close on Ghosted, another hot package that Apple scooped up. Johansson fell off after scheduling conflicts with Ana de Armas stepping in. That film is currently filming but everything works out in the end as the two A-listers and old friends get a second chance at teaming up again.

Apple and Johansson are also teaming up on Bride, which the actress is starring in and producing for Oscar-winning director Sebastián Lelio. That project is currently in development.

Apple, which on Sunday became the first streamer to win Best Picture, is on a roll. Potentially releasing this year are Martin Scorsese’s Killer’s Of The Flower Moon and Taron Egerton starrer Tetris. The company made waves a couple of years ago with the massive deal for Antoine Fuqua package Emancipation, which could also debut in 2022 (though the Will Smith Oscar drama may delay things).

Avengers, Marriage Story and Lost In Translation star Johansson is in post on Wes Anderson’s Asteroid City. Captain America, Avengers and Knives Out star Evans is in post on Pixar’s Lightyear and the Russo’s The Gray Man.

Led by Bateman and Michael Costigan, Aggregate’s slate includes FX’s A Teacher; plus the upcoming FX limited series Under The Banner Of Heaven; Florida Man for Netflix; Lessons In Chemistry for Apple; and the Netflix feature Your Place Or Mine. Ozark launches its final seven episodes this April.

Johansson is represented by CAA and Yorn Levine. Evans is represented by CAA, 3Arts and Sloane, Offer, Weber & Dern. Bateman is represented by CAA, Lighthouse Management + Media, and Hansen Jacobson. Gilroy is represented by UTA, Mosaic, and attorney Howard Abramson.

Scarlett visited her longtime friend Drew Barrymore on her morning talk show this morning to talk about The Outset, dating advice, as well as answering Drew’s ‘Final Five’ questions. If you missed it this morning, the interview is below!

Vogue sat down with Scarlett to go through various looks she’s worn from the beginning of her career.

Scarlett was in the studio yesterday with Ryan Seacrest to talk about The Outset!

THE HOLLYWOOD REPORTER – The star and her business partner Kate Foster Lengyel take The Hollywood Reporter inside the launch of The Outset, the actress’ new vegan, eco-friendly brand.
Scarlett Johansson does not share her life with the world on social media. In this way, the actress hews to a pre-Instagram model of stardom, when celebrities were seen and heard in limited and intentional ways (read: when promoting a project). Johansson’s place in modern Hollywood, though, is evidenced by the launch of her new skin-care brand The Outset, as she joins a chorus of other celebrity beauty brands that seems to grow larger for consumers each season.

The Outset is an eco-friendly, plant-based skincare line. Johansson’s co-founder and the brand’s CEO, Kate Foster Lengyel, was founder and CEO of SwearBy, a digital site focused on word-of-mouth product recommendations. Together, with funding from the Najafi Companies (also an investor in Tracee Ellis Ross’ Pattern hair care line and Shay Mitchell’s travel essentials company Béis), Johansson and Foster created a line of six fragrance-free products: a cleanser, prep serum, day cream, night cream, fine line cream and lip treatment ($28 to $54). The brand’s signature is Hyaluroset Complex, a trademarked, hydrating ingredient blend that’s a botanical alternative to hyaluronic acid. On March 1, the items will be available on the brand’s direct-to-consumer website, and at sole retail partner Sephora on April 26.

Johansson — who was working on the launch amid her now-settled lawsuit against Disney over Black Widow’s release — and Foster spoke with The Hollywood Reporter over Zoom in December and again in February for a rare look at two different stages of the brand building process as the founders inched closer to its debut in the marketplace.

Johansson admitted that before she dove in to creating her own brand, the idea seemed daunting. “I never understood the background of how brands come to be. I just didn’t feel like I had a place at the table, because it was this whole new venture,” the actress told THR. “I think over time I just felt more confident that it was something that I had a perspective on. And felt like it was worth pursuing this dream.”

She started envisioning the line five years ago. “[The Outset] just was born out of curiosity and a genuine love for beauty and for skin care,” says Johansson. Early in the process, the budding entrepreneur met with several beauty companies about pairing with them, but she “kept coming back to this really authentic desire” to forge her own path.

She met Foster (“my producing partner, essentially,” says the actress) through mutual friends in the beauty industry, and the two recall being immediately aligned on how the brand should take shape: “I needed somebody else that felt brave and confident enough to do it independently of some of the major houses and brands. So Kate, I think, was the person for the job because she is a risk-taker. And she and I had a similar kind of ethos around beauty.”

Says Foster of Johansson, who serves as chairman of the company: “From our first meeting two years ago to where we are now, her vision then and the way that she described the brand, it’s like 99.9% the same as what we’re introducing.”

Johansson knew she wanted every piece of The Outset’s launch to feel like a “hero product,” which meant scaling back the number of initial items. “We needed to focus our resources on this limited amount of SKUs and really understand what the most important thing to the consumer is. If our idea is noise reduction, and there’s obviously a million celebrity brands, this is the opportunity to create something that makes people’s lives easier,” she says.

From the brand’s minimalist blue-and-white packaging and clean ingredients (like vegan collagen) to the marketing language (“Return to the essential”), The Outset is positioned as a simple, everyday line, with bottles made from post-consumer glass recyclables. (The products are available either à la carte or as a starter set, with refills launching later this summer along with a smaller-sized travel set.)

“We always talk about this brand being like the white T-shirt of skin care,” says Johansson, noting that the products can be paired with other brand’s products successfully. “It’s not about resurfacing or reinventing your skin, it’s really about preserving the skin that you have for the future.”

(Neither Johansson nor Foster would discuss specific terms — including ownership percentages — of The Outset’s deal with its backer, Najafi, but industry sources say the initial investment falls within the range of $5 million to $10 million. Business deals for celebrity brands can take many shapes and forms, from licensing to outright ownership to hybrid models.)

The actress’ experience working in film, she says, also helped her in building and working with a team from the ground up. “The idea that the best idea rises to the top — it’s a collaborative process. And I love that collaborative process and being one voice in a group,” said Johansson, adding: “I’m used to, for my other job, having an idea that’s kind of half baked, and if something’s not working feeling comfortable scrapping everything and starting out from scratch. That to me is how you get a refined final product. This process has been very similar.”

When THR caught up again with Johansson and Foster in February, it was just two weeks ahead of the product debut. The pair had been dealing with supply-chain issues, which caused the launch to be delayed by several weeks. Foster notes the team had been hard at work on the technical side of things, like integrating and populating content on the website and creating tutorial videos, which Johansson, with her eye for film, insisted have a “beautiful cinematic quality,” as the actress puts it. Foster also says that the company is looking to shift from working with several freelancers and consultants to migrating more jobs in-house. The team was also working on final touches such as quality assurance testing. “We need to make sure that the products are all categorized properly in the warehouse, and that the website fires on all cylinders,” said Foster.

For a brand centrally focused on serving the consumer, trials and rounds of testing ahead of the launch have been pivotal in terms of refining the product formulas and packaging.

“Along the way, we’ve been doing customer testing to get feedback, and have just had phenomenal responses in terms of the positive reception to all of the products individually, but we also feel the daily essentials regimen is really the backbone of the line,” adds Foster. Early testers included many of Johansson’s friends, some of whom have described the line as “subtle.”

Of course, one challenge in promoting The Outset is Johansson’s lack of her own social media accounts, platforms that many other stars use to spotlight their brands. But The Outset did launch a company IG account (@theoutset) Feb. 20, quickly gaining 66,000 followers, including Johansson’s husband Colin Jost, who affectionately joked in the comments of the brand’s second post: “Is this the best way to contact you?”

Looking ahead to the fall, there are more product launches to come, such as a mask. “Things that are a little bit more specific … to boost your skincare regimen,” explains Johansson. In the future, she sees The Outset branching out into makeup products, fragrance, home goods, baby care and even apparel. “I’m interested in creating a legacy brand. This is the long play for me,” she says. “It’s very important to me that we grow the company.”

Asked to discuss the Disney suit, Johansson declined to comment, citing legal confidentiality, but did say: “I have a lot of stuff going on, and I definitely have a lot of balls in the air. But I think I’m at a place in my life finally where I’m OK delegating. I spent a long time where I just put a lot of pressure on myself to keep the balls in the air by myself. And it’s just impossible, especially since I have two children now [the youngest born over the summer], I have a film and television production company, and I’m still acting. So it’s just about, I think, nourishing my relationships with my team. This project right now needs a lot of attention, so this is where my focus is, and then when I go off to do a film, I know that [The Outset] is healthy.”